Year 10 Unit 1: October 4 2011.

Today is the day before we start filming tomorrow. After school, Kazia, Robert and I went on an online discussion about our final Pre-Production planning.

PRE-PRODUCTION

HOW TRADITIONS IN HONG KONG HAVE CHANGED

Chung Yeung Festival (October 5)

By Kazia, Isabella and Robert

Place	Time	Main focus	Remarks
Shau Kei Wan	9:30
Shau Kei Wan Market	10:00 - 11:00
Chai Wan Cemetery  (歌連臣)	11:45 - 1:15
Peak Tram Stop	1:45 - 2:15
Wan Chai Temple	/
Backup: Causeway Bay	/

MAIN FOCUS (Not enough space on the table):

Shau Kei Wan:

- Meet

Shau Kei Wan Market:

- Film people buying chicken

- Interview meat stall owner on difference of sales on chicken

- Ask Interview questions

Chai Wan Cemetery:
- Film process of how festival is being celebrated

- Interview questions

- Shots of place, people

Peak Tram Stop:

- Film the long queues

- Film the people having fun

- Interview questions

Wan Chai Temple:

- More process shots

Causeway Bay:

- Interview questions: those who DON'T celebrate it and why.

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QUESTIONS:

For those who celebrate the festival:

1. What do you usually do on this festival day?
2. Do you do this every year? If not, how often do you do this?
3. How long have you been doing this for?
4. How did you use to celebrate this festival? Do you celebrate it any differently now?

For those who don't celebrate the festival:
1. Do you know what the festival is about?
2. Do you know how this is celebrated?
3. Did you use to celebrate this festival? If so, why don't you celebrate it anymore?
4. What do you usually do on this festival if you don't celebrate it?

Quiz them on the knowledge of festivals-how each festival is celebrated.

Market stall owners
1. Are you selling more food today than you usually do?
2. Which produce has been sold the most today?
3. Why do you think it’s been sold the most?

Peak Tram
1. Why are you going to the Peak today?
2. What do you plan on doing there in regard to the Chung Yeung Festival?

Chai Wan Cemetery
Ask questions “For people who celebrate the festival”

Since we will mainly be asking locals, they may not understand English. Therefore Kazia and Robert have opted to translate the questions in Chinese (I cannot speak Cantonese), and Robert will be the interviewer.

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EQUIPMENT:

Camera; Isabella's DSLR Canon EOS 550D

Tripod; Isabella

Mic; /

Unfortunately, we were unable to borrow a mic because no one had the available time to go and borrow one.

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TOMORROW WE MUST:

- Meet INSIDE THE SHAU KEI WAN MTR STATION by HANG SENG BANK

- Bring money for MTR and Lunch

- Charge all phones

- Charge all equipment needed

- Print questions out

- WEAR SCHOOL UNIFORM AND BRING STUDENT ID (So interviewees can believe this is for a school project, as we are working on a public holiday).

We also exchanged phone numbers.

~~~~~~~~

Overall, I am very excited to film tomorrow and I hope we capture as much footage as possible that help convey our message. 

Year 10 Unit 1: Lesson 8 October 3 2011.

Today's class was very busy because last week we missed a lesson because of the Typhoon. As part of the Pre-Production stage, all the groups would plan out where and when they would film, in order to borrow rigs (equipment). We were the busiest group because we would be the ones that would start filming first, which was this Wednesday (the public holiday). The reason being was that we needed to show how traditions in Hong Kong are changing (our issue), therefore the festival on Wednesday gave us a lot of opportunities to do so. 

Throughout the entire lesson, we were given another camera/mic lesson and also shooting mock interviews and angles. We all took turns paying a different role of either, operating the camera, operating the mic or being the interviewee. Understanding the camera functions such as the aperture and shutter speed wasn't so difficult for me because I have a DSLR. But it was the operating part that was hard because some of the functions didn't state what they were, or I didn't know what button to press. I learnt how to properly frame the interviewee with the right lighting and angles. Operating the mic wasn't difficult either, however we made a slight mistake. At first we couldn't hear anything through the mic, it turns out that we didn't put the battery in. One crucial point I learnt from last year's film course was to always use headphones when operating the mic. One time we didn't do that and our whole footage was mute, causing us to re-film the entire sequence. We also learnt how to achieve the best sound possible. We would put the mic as close to the interviewee and if it was in the camera frame the cameraman would say "In". The mic operator would move the mic a little further until it was fully off screen when the cameraman would say "Out". 

Overall this lesson really helped me grasp the knowledge on how to operate a camera and mic. I've realized that you can't just go out there and press the record button. You have to fix the lighting and sound until you can acquire the best quality possible. I hope that these attributes will help us on our actual film day. 

Year 10 Unit 1: Lesson 7 September 23 2011.

Today Ms Rosati further explained what the guidelines were for our Criterion A investigation and presentation. She offered us a selection of documentaries that we would have to analyze and present in front of the whole class. After that, the whole class got together and discussed what each groups documentary idea was. I was fascinated by how widespread everyone's choice was. There were choices varying from Social Networking, to Hong Kong's Food Waste and the Domestic Helper Permanent Stay issue. I am very excited to see everyone's final result.


We then moved onto how all visual media is produced in three stages; pre production, production and post production. Right now, we have just begun the pre-production stage. Pre-production is any aspect of planning that takes place, it consists planning of Script, Storyboards, Shot Lists, Casting, Location Scouting (permission, weather, lighting) and Budgeting. Pre-production planning is a main essential not only for documentaries, but also to any other film making genres. It is very important to plan behind a documentary because as we are capturing reality, we cannot control it. Therefore pre-production needs to take place in order to have the interviews and filming as smooth as possible.


Notes from today's class:


The first stage of Production: 
-> Pre-production: any aspect of planning takes place

• Script
• Storyboards
• Shot List
• Casting
• Location Scouting
• Budgeting

Scripts:

• Any written support for filming- Interview Questions
• In the case of documentary we add the important category of PRIMARY RESEARCH.

Storyboards:

• In sequence, visual representation, camera frames and angles.
• Documentary: no obligation to create storyboards.
• Pre-visuals: Does not include/involve interviews/archival footage 

Shot List:

• Better organization- shot plan, list of shots to capture in a given location at a given time, not to miss anything.

Casting:

• Confirm names and backgrounds for interview (documentary)

Location Scouting:

• Go to that location BEFORE HAND.
• OBSERVE the lighting.
• Secure permission to shoot
• Take still pictures 

Budgeting:

• Idea if what we're doing costs money.
• Manage expense

Permission:

• Permission; verbal permission to record person
• Copyright material; music and videos- email owner

Year 10 Unit 1: Lesson 6 September 20 2011.

Our Criterion B project: Documentary planning

HOW TRADITIONS IN HONG KONG HAVE CHANGED

Chung Yeung Festival (October 5)

By Kazia, Isabella and Robert

Plot Outline:

Film Story-line:

1. Introduction

* What is it exactly?

* Why is it celebrated? 

* How is it traditionally celebrated?

2. Film the process of ritual on the actual day -> How it's celebrated now

3. Interviews:

* Interview those who celebrate it

* Interview those who don't celebrate it

4. Conclusion:

* Archival footage of how it was celebrated back then

* How it is celebrated now

Things we still have to research about:

1. How do people still celebrate it?

2. Where do they go to celebrate it?

* Location: Mountains (to be decided) --wherever the celebrations take place-- on the festival day

                  Busy streets: Causeway Bay/ Central; interview using interview questions. 
                  Better filmed on actual day but doesn't have to be.

3. Interviewees:

* Old people (those who do celebrate it, those who don't)

* Young/Middle-aged people  (those who do celebrate it, those who don't)

* Chinese teachers at CIS

* Amahs at CIS

* Foreigners (?) [Follow the movement of the day]

Interview Questions:

For those who celebrate the festival:

1. What do you usually do on this festival day?

2. Do you do this every year? If not, how often do you do this?

3. How long have you been doing this for?

4. How did you use to celebrate this festival? Do you celebrate it any differently now?

For those who don't celebrate the festival:

1. Do you know what the festival is about?

2. Do you know how this is celebrated?

3. Did you use to celebrate this festival? If so, why don't you celebrate it anymore?

4. What do you usually do on this festival if you don't celebrate it?

Quiz them on the knowledge of festivals-how each festival is celebrated.

Equipment:

* Bella's Camera: Canon 550D

* Kazia's Camera: Canon 550D (Backup?)

* Robert: to be decided.

* Tripod.

* Mic, if needed. 

Year 10 Unit 1: Lesson 5 September 15 2011, Homework.

COMPARE AND CONTRAST NO DIRECTION HOME AND BOWLING FOR COLUMBINE.


Both documentaries consisted of interview clips and also clips that the film maker did not shoot themselves. In No Direction Home, Bob Dylan is being interviewed as the opening scene. For Bowling for Columbine the opening scene consisted of the actual film maker Michael Moore, sort of interviewing and consulting a bank department.

However, the difference was that there was some manipulated footage in only one of the documentaries and not in the other. In No Direction Home, the interview was very natural and the angles and framing were not manipulated in any way. For Bowling for Columbine, Michael Moore may have entered the bank with only one camera. Although interview and meeting at the bank seemed very natural, there were a lot of shot-reverse-shots. This meant that the staff and Michael Moore would keep having to repeat what they would say. This wouldn't really be natural as the camera is sort of interacting with the characters in the scene. Michael Moore may have wanted it to be a little more realistic, this still calls as manipulated footage.

Year 10 Unit 1: Lesson 5 September 15 2011.

Today's lesson we further dug into what a documentary was and what it meant. We analysed two different documentaries and later on had to compare and contrast them for homework. The documentaries we watched were No Direction Home directed by Martin Scorsese and Bowling for Columbine directed my Michael Moore.


The documentary No Direction Home opening scene was very entertaining. Basically it was about the current day famous singer Bob Dylan remembering a house that he lived in during his childhood but couldn't seem to remember where it exactly was. Throughout the movie, there were three powerful sections that contributed to the emotion felt by Bob Dylan. Ms Rosati also had us reflect on three different questions (see below). I also noticed that...




- Three sections: Interviews, Performance shots, and old photographs of his childhood.
- Interview: Only hear Bob Dylan's response, no interviewer's questions. Attitude is confident but seems lost as he is trying to find that specific "home". Also stutters when he talks.
- Performance: Singing is rough and raw, very distinctive. Lighting is very colorful, full of vivid  and vibrant colors such as red, orange and white. When focused on audience, the light is reflected back on them, shows signs of uncomfortableness because there's no cheering or applaud.
- Sudden stop to music acts as transition. Gloomy white/gray tone. White mist of trees depict Dylan's saying of time. Playbacks to childhood photos and how Dylan describes the record player. Scene of record player is low lighting.


The questions that we had to answer were
* Did they shoot all the footage themselves?
- They may have not shot all the footage themselves. Some may have been shot by other film makers such as the performing footage. We know this from the fact that when he was performing he looked very young and it was most likely the start of his career. Whilst the current day Bob Dylan is much older.


* What did the film maker choose to show & hear?
He chose to show us Dylan's response but not the interviewer's questions. The film maker also chose to show us Dylan's singing which had a rough and raw monotone to it. However, he did not show the audience's applaud or feedback, which indicates that maybe no one enjoyed his music.


* What did the film maker juxtapose with the images and sound?
The images and sound during the small scene about Dylan's childhood conveyed a small hint of Dylan's fascination in country music. The images contrasted with the country song he first heard, which also gave us a clue as to how his career started.


After a small 10 minutes answering these questions, we watched the next opening scene of Bowling for Columbine. The film maker/director, Michael Moore was trying to convey how easy it was to acquire a gun in the US, which led to the Columbine High School Shooting in 1999.


The last few minutes of our lesson we spent on brainstorming for our Criterion B project. My group consisted of the same people as the challenge shoot; Kazia, Robert and I. We all just decided to write down what ever topic we could think of and it eventually led up to these selections.

• - smoking
• - inflation
• - how land is developing in hk
• - pollution
• - social themes
• - lazy/spoilt kids in hk (relative to other places)
• - environmental
• - cultural
• - religion
• - having kids
• - poverty
• - caring for the elderly
• - health
• - views on aging

We were not able to decide on our topic in class so we had an online discussion which resulted into choosing "How traditions have changed in Hong Kong". We first came up with three main holidays that were important to Chinese culture and came up with: Chung Yeung (seeing as it is in 2 weeks), Mid-Autumn Festival and Chinese New Year. 

Year 10 Unit 1: Lesson 4 September 9 2011.

This lesson we weren't able to focus and learn as much because of the mid-autumn assembly. However, we didn't let any time get to waste so Ms Rosati taught us as much as possible. She elaborated on our first unit: Documentary. We would first learn the basic facts of the topic, then proceed to watch and analyse two documentary films; Babies and Bowling for Columbine.


First, we learnt the Film Making Focus, which is the three different varieties of film making. There's Documentary, Narrative and Experimental.
- A Documentary film is basically a non-fiction film.
- A Narrative film has fictional story line that tells a story or an event through visuals.
- An Experimental film is expressionistic, and brings out the film maker's unique point of view.


Then we learnt the different types of films that fall into these categories. Such as...
- Documentaries are a wide range of Observational films, newsreel, biopic (biography), travelogue, sports, nature shows etc.
- Narratives; there are Linear narratives and Non-Linear narratives. Linear narratives are films that have the story told in order. Non- linear narratives are films that have story lines not in order (such as Inception). Basically they are all genre films.
- An Experimental film usually is a poetic film or a visual abstraction.  


The last part of the basics were the Characteristics of a Documentary which were...
- On Location; meaning it must be filmed on a space that already exists and has not been re-touched or created.
- No or few actors; meaning no acting at all, must be all natural.
- Socially relevant subjects or themes.
- High ratio of shooting to final footage; for example, you film 10 hours of footage but only use 1 hour.
- Born in the editing room; meaning there really is no plan of how you'll edit it because it's all natural footage, not staged.
- "You need to know the subject before you film"; meaning you can't just go and shoot, you need to take time to really understand your subject in order to capture the true essence of the film.


Watching both documentaries really helped me understand how to grasp the essence of documentary film making. I hope that I can acquire these skills and produce a film quite extraordinary as the ones we watched.